headerphoto

Add your Comment

Your Comments

Amazing. Your so right about it all, making the commitment to take a step in the direction to become who you want to be as an artist. I look so forward to being able to paint every day, one day soon.

Picasso, 20th century pioneer of Cubism and Michelangelo, greatest sculptor of the Renaissance - What can possibly link these two masters?  Be...

ArtLife_blog

An artist's life without paint-tubes

Posted July 11, 2012

In times past, simply making up a day's worth of paint required a cost in effort and time few of us would be prepared to pay. If you will, imagine yourself as the sixteen-year-old Leonardo, in the studio of his Master. The task would go like this:

You feel proud the Master has trusted you with the j…

Read more

How an Artist sees

Posted May 17, 2012

Edgar Degas wrote: 'Art is not what you see, but what you make others see.'

Here, for artists, is a statement of the 'bleeding obvious.' Since it comes from one whose work commands our respect, we need to examine its meaning. There may be more to it than what lies out in  the open. We might discover…

Read more

Drawing onto Canvas

Posted April 13, 2012

mona lisa, Leonardo,ArtLife,GauvinWhen the drawing for your painting is completed, when you are certain everything is just as you want it, stop. Allow yourself a breathing space of a day or two before you look at the drawing again. When you are ready,
turn the work upside down, or hold it in front of a mirror. Any errors will now ju…

Read more

What's Wrong with Your Picture?

Posted April 13, 2012

mona lisa,Leonardo,ArtLife,Gauvin  Nothing is more frustrating then to stare at the piece you've spent days or weeks working on, only to realise it's just not right. It happens to all of us in the early stages of becoming a professional artist.  This article will focus on the major cause of this problem and how to avoid it...

Read more

You can Gain Creative Freedom by setting yourself Limits.

Posted February 26, 2012

Creative freedom comes with setting yourself some limits. Does that sound contradictory to you? Well, let me explain what I mean. Because my experience of this powerful 'secret' has proven successful, I want to pass it on to other artists who may be floundering in an overwhelming sea of choices.

Bein…

Read more

Avoid Danger with Black and Make Magic with four Extra Pigments in your Paintings

Posted February 18, 2012

When I first set out to get my training, representational painting was out of style among the art educators of this country. In fact, one lecturer stated that the true history of painting began in New York in 1960...

Because I was determined to make paintings, rather than designs, I had to find for…

Read more

How to gain control over the colours that can wreck your paintings and make magic with four other...

Posted February 10, 2012

One advantage of the simple palette is the development of colour mixtures as unique to you as your handwriting. A second, and most useful one, is gaining control over those pigments that are notorious for 'taking over' a painting...

I'm thinking of blues like phthalo and cerulean, and most of the gr…

Read more

How to Go Beyond the Rainbow using Colour Mixes

Posted February 4, 2012

Accurate colour mixing is like baking a cake. It is as simple, and as precise, as that. You need a list of ingredients and a recipe, or method, to follow. After that, it's just a science anyone can learn: accurate colour-mixing isn't difficult  but the vast choice in the art shop makes it look harde…

Read more

How can I come up with my own Style in Art?

Posted January 27, 2012

One really good way to work out what you want to paint is to think about what you don't like, both in subject matter and in style.

If it were possible for you to read every book written about, say, Rembrandt, it would not teach you to paint like Rembrandt. Anyway, the world does not need another Re…

Read more

'I never had any proper art training.'

Posted January 20, 2012

You needn't let that worry you. Many famous names in the history of Art had little or no formal training. Neither had I, at the time I committed to a life as an artist. Here are the three facts you need to know:

1. No amount of training can make you an artist. That comes from within your Self - but y…

Read more

View older posts »